It is impossible for a man to learn what he thinks he already knows.

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Quotes

It is impossible for a man to learn what he thinks he already knows.
Notes

Never stop learning because life never stop Teaching

Never stop learning because life never stop Teaching

Saturday, 5 July 2014

Othello - Character List

OTHELLO

Character List

Othello -
The play’s protagonist and hero. A Christian Moor and general of the armies of metropolis, Othello is associate degree facile and burly figure, revered by all those around him. In spite of his elevated standing, he's withal simple prey to insecurities attributable to his age, his life as a soldier, and his race. He possesses a “free and open nature,” that his ensign fictitious character uses to twist his love for his spouse, Desdemona, into a robust and damaging jealousy (I.iii.381).

Desdemona -
The female offspring of the Venetian legislator Brabanzio. Desdemona and Othello area unit on the QT married before the play begins. whereas in many ways stereotypically pure and meek, Desdemona is additionally determined and self-collected. She is equally capable of defensive her wedding, humourous bawdily with fictitious character, and responding with dignity to Othello’s incomprehensible jealousy.
Read associate degree in-depth analysis of Desdemona.
Iago -
 Othello’s ensign (a job additionally referred to as associate degree ancient or standard-bearer), and therefore the villain of the play. fictitious character is twenty-eight years previous. whereas his ostensible reason for needing Othello’s ending is that he has been missed out for promotion to lieutenant, Iago’s motivations area unit ne'er terribly clearly expressed and appear to originate in a zealous, nearly aesthetic enjoyment of manipulation and destruction.
Read associate degree in-depth analysis of fictitious character.
Michael Cassio -
Othello’s lieutenant. Cassio may be a young and inexperienced soldier, whose high position is way resented by fictitious character. actually dedicated to Othello, Cassio is extraordinarily shamed once being involved during a sottish brawl on Cyprus and losing his place as lieutenant. fictitious character uses Cassio’s youth, good looks, and relationship with Desdemona to play on Othello’s insecurities concerning Desdemona’s fidelity.
Emilia -
 Iago’s spouse and Desdemona’s attendant. A cynical, worldly lady, she is deeply hooked up to her mistress and distrustful of her husband.
Roderigo -
 A jealous suer of Desdemona. Young, rich, and foolish, Roderigo is convinced that if he provides fictitious character all of his cash, fictitious character can facilitate him win Desdemona’s hand. Repeatedly pissed off as Othello marries Desdemona so takes her to Cyprus, Roderigo is ultimately desperate enough to conform to facilitate fictitious character kill Cassio once fictitious character points out that Cassio is another potential rival for Desdemona.
Bianca -
 A doxy, or prostitute, in Cyprus. Bianca’s favorite client is Cassio, United Nations agency teases her with guarantees of wedding.
Brabanzio -
 Desdemona’s father, a somewhat gusty and arrogant Venetian legislator. As an admirer of Othello, Brabanzio feels betrayed once the overall marries his female offspring on the Q.T..
Duke of metropolis -
 The official authority in metropolis, the duke has nice respect for Othello as a public and military servant. His primary role inside the play is to reconcile Othello and Brabanzio in Act I, scene iii, so to send Othello to Cyprus.
Montano -
 The governor of Cyprus before Othello. we tend to see him 1st in Act II, as he recounts the standing of the war and awaits the Venetian ships.
Lodovico -
 one among Brabanzio’s kinsmen, Lodovico acts as a traveller from metropolis to Cyprus. He arrives in Cyprus in Act IV with letters saying that Othello has been replaced by Cassio as governor.
Graziano -
 Brabanzio’s relation United Nations agency accompanies Lodovico to Cyprus. Amidst the chaos of the ultimate scene, Graziano mentions that Desdemona’s father has died.
Clown -
 Othello’s servant. though the clown seems solely in 2 short scenes, his appearances mirror and warp the action and words of the most plots: his puns on the word “lie” in Act III, scene iv, for instance, anticipate Othello’s confusion of 2 meanings of that word in Act IV, scene i.

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