Belinda - Belinda relies on the historical Arabella Fermor, a member of Pope’s circle of outstanding Roman Catholics. Robert, Lord Petre (the Baron within the poem) had precipitated a rift between their 2 families by piece off a lock of her hair.
The Baron - this is often the nom de guerre for the historical Henry M. Robert, Lord Petre, the young gentleman in Pope’s social circle WHO pained Arabella Fermor and her family by taking off a lock of her hair. within the poem’s version of events, Arabella is understood as Belinda.
Caryl - The historical basis for the Caryl character is John Caryll, a lover of Pope and of the 2 families that had become unloved over the incident the literary work relates. it had been Caryll WHO prompt that Pope encourage a reconciliation by writing a ironic literary work.
Goddess - The muse WHO, per classical convention, conjures up poets to put in writing their verses
Shock - Belinda’s domestic dog
Ariel - Belinda’s guardian sylph, WHO oversees a military of invisible protecting deities
Umbriel - The chief gnome, WHO travels to the Cave of Spleen and returns with bundles of sighs and tears to irritate Belinda’s vexation
Brillante - The sylph WHO is appointed to protect Belinda’s earrings
Momentilla - The sylph WHO is appointed to protect Belinda’s watch
Crispissa - The sylph WHO is appointed to protect Belinda’s “fav’rite Lock”
Clarissa - a girl attending at the Hampton Court party. She lends the Baron the combine of scissors with that he cuts Belinda’s hair, and later delivers a philosophizing lecture.
Thalestris - Belinda’s friend, named for the Queen of the Amazons and representing the historical Gertrude chemist, a lover of Pope’s and therefore the woman of Sir patron saint Browne (rendered as her “beau,” Sir Plume, within the poem). She eggs Belinda on in her anger and demands that the lock be came back.
Sir Plume - Thalestris’s “beau,” WHO makes associate ineffectual challenge to the Baron. He represents the historical Sir patron saint Browne, a member of Pope’s social circle.
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